Rob Zombie: the second coming of Rodney Dangerfield
Check out this new interview from the Illinois Entertainer, Chicagoland’s Free Music Monthly Magazine. In it Rob speaks about the way heavy metal music and horror movies are overlooked by their peers.
You can read the full interview HERE on their free online magazine e-reader (pg 28 & 47).
Just call Rob Zombie the second coming of Rodney Dangerfield. The two differ drastically in appearance (Zombie prefers graphic tees and unruly bedhead to Dangerfield’s trademark white collared shirt and sloppy red tie), but both curse the establishment with the same mantra: “I don’t get no respect!”
Despite the throngs of fans salivating at the double bill of Zombie’s fall jaunt with fellow shock rocker Marilyn Manson (dubbed the Twins Of Evil Tour, which stops at the Allstate Arena on Oct. 11) and the Toronto International Film Festival rolling out the red carpet (albeit at midnight) to premiere his latest supernatural thriller,The Lords Of Salem, the suits in Hollywood still give Mr. Hellbilly and his goth brethren the stink eye.
“There’s two things that I’m sure of,” Zombie explains, “that horror movies and heavy metal equals zero respect. Sometimes, the lack of respect actually becomes detrimental to try to get . . . projects done. Halloween was a huge movie. It came in at No. 1 and made a fortune. Had that been any other type of movie it would have been such a different situation, but since it’s a horror movie, it’s almost like it’s not considered. There’s a real prejudice about it.
Metal doesn’t fare any better. “They don’t even have a Grammy any more for heavy metal. You can sell millions of records, be the biggest band in the world [and] it’s like you don’t even exist,” Zombie rages on. “You can record an instrumental polka record that sells four copies and they’ll present you with a Grammy on television. I mean, it’s just ridiculous.”
Not quite so fast – the Grammys abandoned its sole role as an awards show broadcast long ago when the Recording Academy decided to focus on brainstorming ill-fitting duets instead of handing out statuettes. Even those polka players have to send mom to an online stream to see their acceptance speech, but Zombie has a point.
“There’s a disconnect between the people who run these companies and the people who buy the products that they make to keep these companies running,” Zombie continues. “That’s the problem I have. When I’m talking to quote unquote Hollywood executives about film projects, they are so disconnected from the average person and what the average person likes and is about. Because they don’t really leave Beverly Hills. What the fuck do they know what some kid in Wisconsin likes that hangs out in 7-Eleven? They have no clue.”
– Janine Schaults